Do you sell tickets for an event, performance or venue?
Find out more about Eventfinda Ticketing.

You missed this – Subscribe & Avoid FOMO!
Along the Great Path – A Solo Exhibition


Fri Feb 23 2018, 10:00am–7:00pm
Sat Feb 24 2018, 11:00am–6:00pm
Mon Feb 26 2018, 10:00am–7:00pm
Tue Feb 27 2018, 10:00am–7:00pm
Wed Feb 28 2018, 10:00am–7:00pm

Where: iPreciation Gallery, 50 Cuscaden Road, HPL House #01-01, Orchard Road, Singapore

Restrictions: All ages

Ticket Information:

  • Admission: Free


In conjunction with Singapore Art Week 2018, iPreciation proudly presents Along the Great Path, a solo exhibition by acclaimed Chinese calligrapher and ink artist, Wang Dongling. Regarded as one of China’s greatest living calligrapher, Wang is best known for his public performances involving large format “Wild Cursive” script, a Chinese calligraphic style characterized by its erratic and dynamic strokes. His works are often deeply rooted in the ancient philosophies of Buddhism and Taoism, as well as the Chinese classics. Along the Great Path will be Wang’s first ever solo exhibition in Singapore, and will feature over 20 abstract ink and calligraphic paintings. Among these works, a selected range will be presented through a unique medium and format. The exhibition will provide viewers with a rare opportunity to view and appreciate Wang’s captivating and powerful calligraphic works up-close.

Born in 1945 in Rudong, Jiangsu Province, China, Wang graduated with a Bachelor’s Degree in Fine Art from the Nanjing Normal University under the guidance of prominent literatus and calligrapher Shen Zishan (1899–1969). Wang also became a disciple of Lin Sanzhi (1898–1989), known as the sage of cursive script, during this period. He received his Master’s Degree in Fine Art from the Calligraphy Department from the then Zhejiang Academy of Fine Arts (currently China Academy of Art) in 1981, under the tutelage of Lu Weizhao (1899–1980) and Sha Menghai (1900–1992), when his calligraphy started to emanate its own style and character.

In 1989, at the invitation of the University of Minnesota, USA as a visiting professor to teach Chinese calligraphy, Wang embarked on a journey through the US for four years that expanded his vision of artistic practice through teaching, participation of symposiums and solo exhibitions at institutions like Harvard University and University of California, Berkeley. It was during this period that Wang started his modernist engagement when he immersed himself in the modern works of acclaimed artists like Pablo Picasso (1881–1973), Paul Klee (1879–1940), Joan Miró (1893–1983) and Henri Matisse (1869–1954). In addition, Wang was also exposed to Japanese calligraphy during the 1990s, especially of works from the Japanese master Inoue Yuichi (1916–1985). All these influences aroused Wang’s pursuits of experimental techniques and reinterpretations of the ancient art form, refining and fusing them into his own artistic language of gestural abstraction.

Wang’s works have been prominently exhibited at institutions and several international venues such as the Metropolitan Museum of Art (New York City, USA), Guggenheim Museum (New York City, USA), National Art Museum of China (Beijing, China) and the Palace Museum (Beijing, China). They can also be found amongst others in the collections of the British Museum (London), the Zhejiang Museum of Fine Art, (Hangzhou, China), the Yale University Art Gallery (New Haven, USA), Harvard University (Cambridge, USA), and the University of California, Berkley (USA).

Wang is currently a Professor and Director of the Modern Calligraphy Research Center at the China Academy of Art.

This exhibition will be part of Singapore Art Week 2018, a joint initiative by the National Arts Council, the Singapore Tourism Board and the Singapore Economic Development Board, Singapore Art Week reinforces Singapore’s position as Asia’s leading arts destination. In its sixth edition in 2018, the twelve-day celebration of the visual arts will be taking place in venues across Singapore, from galleries and museums to art precincts and non-profit spaces.