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The vast plains of the Great Steppe take centre stage in director Bair Dyshenov’s film about the tragic fates of three Russian soldiers and their horses. The stories of the men carry the film from the time of Genghis Khan to present day, yet the progression of time is barely felt, due largely to the immutability of the landscape.
Dyshenov’s realist and brutal depictions of the men’s stories contrast starkly with poetic long shots of rolling grassland and an endless sky that literally reduce the men to dots on the screen in several scenes, driving home the fragility and transience of human life.
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