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Chun Kwang Young - Assemblage


Sat Aug 10 2013, 11:00am–7:00pm
Mon Aug 12 2013, 11:00am–7:00pm
Tue Aug 13 2013, 11:00am–7:00pm
Wed Aug 14 2013, 11:00am–7:00pm
Thu Aug 15 2013, 11:00am–7:00pm

Where: Art Plural Gallery, 38 Armenien Street, Bras Basah, Singapore

Restrictions: All ages

Ticket Information:

  • Admission: Free

Listed by: ArtPluralGallery

Art Plural Gallery is pleased to present Assemblage, a solo exhibition of Korean artist Chun Kwang Young. Featuring 22 of his latest works, the exhibition will run from 29 May to 25 August 2013.

Chun Kwang Young has spent his career seeking the individuality of a style that allows him to express the dualities indigenous to his work. Beginning the long journey into Abstract Expressionism in the 1970s, a move to America spurred him to embrace a direction that could freely express the divide he encountered between promises and reality. From there, Chun sought a personal language and a strong voice that would allow him to incorporate influences from his homeland. A seminal moment came in 1995, when Chun began to create structural works of art made of the assemblage of hundreds of polystyrene foam triangles wrapped in Korean mulberry paper. Known as hanji, the paper is deeply rooted in Korean tradition and was at one time a ubiquitous household material, as well as a means of wrapping various objects such as medicine and food. In the words of the artist, “I think the thing I first saw [as a child] was my mother’s face, and then there was mulberry paper. This paper is not just for writing and drawing, but is like the spirit and soul of Koreans.”

In Chun Kwang Young’s Aggregations, each triangle wrapped in this paper embodies a distinct and independent semantic component or entity of information. Every boundary represents a confrontation, a clash of two viewpoints that cannot be resolved: dreams against reality, mass consumption against poverty, the ‘American Dream’ against Asian traditional values… These antinomies all left their marks on the artist, who experienced first-hand the twisting reality of the American ironic idyll in the 1970s.

Seemingly minimal at a distance, the works demand a closer scrutiny of the varying landscapes with elations, depressions and colour gradations. In an obsessive and repetitive manner, Chun organises his compositions as accumulations. By sewing triangles together on a two-dimensional plane, the artist develops a map of relations; a labyrinth created by the dichotomy of choice - harmony or conflict

Although an individual triangle may appear aesthetically attractive, the scattered Korean and Chinese characters bend and twist, eluding any global understanding. A new message emerges out of the voices of authors from the most eclectic literary sources.

The power of Chun’s work is not found merely in the details, but in the entirety of the piece as a whole: the aggregation of these messages. The artist experiments with fate, luck and coincidence by placing ideas next to each other and analysing the result. Thus, the simplicity of these ideas coexisting next to each other allows for a new level of aggregations that create, at each scale, more opportunity for interpretation. His canvas becomes a network saturated with meaning.

However, Chun Kwang Young goes beyond merely depicting these aggregations; he meticulously uses the border of each triangle as a line of interaction to be found on the landscape. These edges become scars created by conflict, while each black sphere hints at missing or hidden information. Chun’s canvas is a collage that contains a micro history of human relationships, as the artist offers to re-interpret political and social events on mulberry paper. These organic landscapes are metaphors of our modern society, devastated by the destruction of our environment, capitalism and endless conflict.

“My work now is not comfortable work. It is still quiet yet very strong. I want the work to be received like boiling oil and fire” - Kwang Young Chun, 2006.
“It is a great honour to present Chun Kwang Young’s newest body of work at Art Plural Gallery. With its uniquely poetic aesthetics, the message of his work is more powerful than ever today.” - Frédéric de Senarclens, founder of Art Plural Gallery.